![]() 2017 433,197,377: Ebonylife Films / FilmOne / Inkblot Production / Koga Studios Niyi. Revenues from special screenings, DVD sales, online streaming and theatrical screenings outside English-speaking West Africa are excluded from this gross total. ![]() And they merged it marvelously with the Day of the Dead culture in Mexico. The following are the highest-grossing Nigerian films of all time in Nigerian cinemas. The movie took on themes like family, aspirations, and music. ![]() Sign Up: Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here. Coco is a heart-warming experience, filled with outstanding animation, wonderful music, brilliant writing, and creative models which brings out the best of Mexican culture. Director: James Mangold ( 3:10 to Yuma) Why it’s great: Before the 'MCU,' Christopher Nolans Bat-movies. ![]() And it has so much to say about the legacy of ‘the American century’ that of course it’s the most resonant, relevant 18-hour movie at this time of meltdown and crisis.” Cast: Hugh Jackman, Patrick Stewart, Dafne Keen, Boyd Holbrook. Other movies recognized by Sight & Sound include “Personal Shopper,” “Dunkirk,” “The Florida Project,” “A Ghost Story,” and “Mudbound.” The full list is belowĪs for why “Twin Peaks: The Return” is the second best film of 2017, film critic Tom Charity wrote for Sight & Sound: “It blows up TV, creatively, and puts pop culture on a new wavelength. The Film Comment Podcast May 16, 2017, Musicals The Podcast (01:17), Details/Play May 8, 2017, 1984 (00:34), Details/Play Apr 27, 2017, Movie Gifts (01:19). IndieWire’s Eric Kohn also named the social thriller the best film of 2017 earlier this week. Jordan Peele’s “ Get Out” topped the Sight & Sound poll in the #1 position. Richard Brody of The New Yorker observed that for 2017, 'the most important event in the world of movies was the revelation, in The New York Times and The New Yorker, of sexual abuse by Harvey Weinstein, and the resulting liberation of the long-stifled voices of the people who had been abused by him or other powerful figures in the movie business, and, for that matter.
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